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This Is Paris - The Efim-Schachmeister Jazz Symphonians* - This Is Paris / Springtime Flirt (Shellac)


Download This Is Paris - The Efim-Schachmeister Jazz Symphonians* - This Is Paris / Springtime Flirt (Shellac)
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9 Replies to “ This Is Paris - The Efim-Schachmeister Jazz Symphonians* - This Is Paris / Springtime Flirt (Shellac) ”

  1. Apr 03,  · The Efim Schachmeister Jazz Symphonians - Spring-time-flirt - - paillard gramophone.
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  2. View credits, reviews, tracks and shop for the Shellac release of Al Morir Besar / Como Somos on Discogs. Label: Polydor - P • Format: Shellac 10 Efim Schachmeister Y Sus "Jazz Symphonians"* - Al Morir Besar / Como Somos (, Shellac) | Discogs.
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  3. Efim Schachmeister & sein Jazz-Symphonie-Orchester, Category: Artist, Monthly Listeners: 15, Where People Listen: Vienna, Bremen, Svanesund, Heemskerk, Leonding We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
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  4. Apr 05,  · Chaim "Efim" Schachmeister ( in Kiev, presently Ukraine- in Buenos Aires, Argentina) was a German violinist and dance band leader. On records, he also used the pseudonyms Sascha Elmo and Joan Florescu.
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  5. Find album reviews, stream songs, credits and award information for Paris Jazz Concert - Jimmy Smith on AllMusic -
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  6. Dec 27,  · This is the first part of George Antheil's wonderful composition "A Jazz Symphony." It was originally to be preformed at Paul Whiteman's Second Experime.
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  7. Sister label of Gramophone Concert Record and Gramophone Monarch Record. Germany On German releases the catalog number is called "Bestell No.", and this number is the same on both sides of the record. The matrix numbers on the labels are called "Katalog No." and are different on both sides of the record. The "Bestell.
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  8. Oct 05,  · It may seem remarkable, but symphonic jazz's compositional and orchestral challenge remains as alluring and elusive to musicians today as it was to George Gershwin in the closing weeks of and early Not all symphonic jazz experiments have been successful, but it's faulty logic to judge any art form by its failures.
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