55 (26) - Wayne Horvitz - 55: Music In Dance And Concrete (CD)


Download 55 (26) - Wayne Horvitz - 55: Music In Dance And Concrete (CD)
2014
Label: Other Room Music - none • Format: CD Promo • Country: US • Genre: Classical • Style: Contemporary


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8 Replies to “ 55 (26) - Wayne Horvitz - 55: Music In Dance And Concrete (CD) ”

  1. Aug 26,  · Check out Music and Dance in Concrete by Wayne Horvitz on Amazon Music. Stream ad-free or purchase CD's and MP3s now on mistlugorimamor.rtherericdipolimsipugdagevota.co
  2. Music and Dance in Concrete was a modular, site-specific work created by composer Wayne Horvitz in collaboration with Yukio Suzuki (choreography and dance), Yohei Saito (video artist) and Tucker Martine (producer / engineer).
  3. Music and Dance in Concrete by Wayne Horvitz, released 16 September 1. 55 (1) 2. 55 (15) 3. 55 (29) 4. 55 (10) 5. 55 (16) 6. 55 (26) 7. 55 (3) 8. 55 (5) 9. 55 (21) 55 (18) 55 (12) 55 (9) 55 (20) 55 (34) 55 (17) 55 (25) 55 (22) 55 (2) 55 (23) 55 (11) 55 (32) 55 (13) 55 (7) 55 (4) 55 (14) 55 (33) Essay From 12" Vinyl Booklet I moved to Seattle in .
  4. Wayne Horvitz: Music and Dance In Concrete album review by Glenn Astarita, published on September 21, Find thousands jazz reviews at All About Jazz!
  5. Sep 16,  · By Frank J. Oteri. Wayne Horvitz's music for Music and Dance in Concrete, taken out of its original site-specific multimedia context, comes across as part psychedelic soundtrack (think Barbarella), part mysterious fun house (think Sleep No More).
  6. Aug 26,  · Fifty Five: Music and Dance in Concrete mistlugorimamor.rtherericdipolimsipugdagevota.co Wayne Horvitz Yukio Suzuki & Kingyo Yohei Saito Tucker Martine.
  7. Music and Dance in Concrete is an electronic music score from the sound, music and dance installation of the same name. All the sound sources were recorded in the bunkers and cistern at Fort Worden in Port Townsend, Washington and then manipulated by Wayne over .
  8. Jul 06,  · The sessions were relaxed, creative, and without a specific goal. We didn’t set out to make a record, we just set out to enjoy the process. I brought in a pile of tunes and sketches, ncluding some chamber pieces from my installation Music and Dance in Concrete, and we started making music.

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